Well, here we are, and time for my part in the Next Big Thing Blog Hop! My lovely editor for Winter Well (coming out this Friday! So excited!!), Kay Holt, tagged me to participate today.
But before I start: please note that I fiddled with the questions. Yes, all those strike-throughs were me needing to make the questions relevant to my own writing. Haha. Because if we're going to talk about writing BOOKS, as in, stories that are so long they can fill two covers all on their own, that's something I haven't been bold enough (or free enough) to do for years. Come on, people, books are serious work!
I also wanted to say thanks to Kay for hunting me down to take part--yes, even having to resort to the ol' stone-and-chisel of email because I don't exist in the fast paced world of Twitter. I apologize for being an inconvenience! I still can't stomach one more social media!
And for all you readers out there, please use your imagination to conjure the toughest, most no-nonsense reporter voice for the questions. That's right, don't let me off the hook easy!
So, without further ado ...
1. What is the working title of your next
I don't win any creativity points for this one: Samurai. I'm sure something better will come up but I just haven't put any thought into it yet.
2.Where did the idea come from for the
The concept for the world they inhabit, which is roughly equivalent to the late 1800s (the setting is roughly equivalent to the Ottoman Empire at that time) came to me in a different way. Originally the idea was for a world where national borders delimit chronological spaces--as in, you could step across the border of a Victorian world back into the 1700s. Or some such. I'll probably still use that idea, but in this story it shifted over to: what if countries were laid side by side with all the "boring parts" taken out? And so the Iymah, eminent sorcerers and traders, stepped in (probably from an alternate dimension) and basically dissected the world and put it back together how they thought it should be, which meant only keeping the parts that produce saleable product. Goodbye deserts, goodbye grasslands and oceans. It's not a good setup from an ecological point of view, and also creates a huge mix-up of peoples and cultures. Which is why our samurai is in the Ottoman Empire. Although, you don't get to move across borders unless the Iymah say you can. So how are you supposed to get out, with a priceless girl in tow?
3.What genre does your
I would call it steampunk fantasy, as it takes place in a Victorian Era world with trains, dirigibles, guns, but also sorcery. I wanted to write a steampunk tale that could also, logically, (HA!) be ethnically diverse. In this world, everyone's on the same footing regardless of race or background because the Iymah consider everyone equally inferior to themselves. Although, this may sound like some other imperialist power that was running around in the 1800s, hey?
4.What actors would you choose to play the part of your characters in a movie rendition?
Imagine the toughest, smartest, and probably scariest-looking Japanese actor you know. No, I don't know who that would be, but that would be Tsutomu. He's average height and square-chinned.
The Iymah are all tall and good looking in a dangerous sort of way, with skin that's bone-white. So I would elect Matthew McConaughey to be one of the main antagonists.
I can't think of anyone to play Kehel, but he's Tsutomu's local love interest. A pretty boy with a long, straight nose and lots of curly hair.
Needlani, the girl who this whole caper circles around, is easy because she's imbued with sorcery that gives her the ability to change her appearance. She can assume 30 different faces. So pick 30 widely different actresses you consider attractive, and there you go.
Finally, I will need to have Guillermo del Toro direct, because I don't trust just anybody with crazy ideas like this.
5.What is the one-sentence synopsis of your
7.How long did/will it take you to write the first draft of the manuscript?
Oh, and I anticipate 40-50 pages, finished.
9.Who or what inspired you to write this
As I mentioned, this was originally an offshoot of a different story--an explanation of where that one came from, if you will. But also, I was drawn to Tsutomu because I wanted a main character who could be strong, confident, and intelligent while being both non-white and homosexual. And I wanted to present all of this as normal and in no way impeding his ability to be an utterly awesome hero.
And by the end of this tale, Constant Reader will know how this mess ended up where the next story takes off from.
10.What else about the
book tale might pique the reader's interest?
What more do you want? It's got samurai, and dancing boys, and magically infused girls, and dirigibles, and bad guys, and almost no white people, and romance. Cussing, drinking, smoking, fighting, intrigue, and attempted murder and successful kidnap! There's nothing NOT interesting! As a wise author once said--"Don't write the boring parts."
And so it is time, now, for me to tag the next author in this ongoing chain of wonderment. Kay tagged Anna Caro to go next in the Winter Well chain on the 23rd, so check out her blog, too!
I, however, would like to tag the wonderful Kait Heacock. (Fortunately she said I could!) Kait is a reporter at the Rearguard newspaper where I'm an editor, so I am quite familiar with her non-fiction. I wonder what she'll discuss for the Blog Hop though? Find out next Monday!